What to know before you go

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WHAT TO KNOW BEFORE YOU GO

UM International Travel Policies

All students and faculty going to Rome must follow all University of Miami International Travel Registration Policies regarding student travel abroad. Please refer to this checklist prior to travel:

  1. The University has a partnership with an International Travel management company, International SOS. All faculty and students must register their full itineraries on the following site: https://www.internationalsos.com/MasterPortal/default.aspx?membnum=11BCAS786599
    See Intro video: https://vimeo.com/144562058
  2. Your trip must also be registered on the UM study abroad site.
  3. Once notified by the University of Miami’s Study Abroad Office that you have a profile created, please visit https://goabroad.miami.edu/index.cfm?FuseAction=Security.LoginWizardStepOne and click on “Log in with CaneID” where you will be able to sign in using your University of Miami credentials. Please answer the required materials relating to your profile and trip. The one item in the materials tab, “Intl. Travel - Student International Travel Policy Compliance,” will be checked off after you complete the Intl SOS registration indicated in step 1 by the Study Abroad Office.
  4. All students and faculty who are US Citizens are required to register their trip individually with the U.S. State De- partment at https://step.state.gov/step/ and non-U.S. citizens should contact the embassy or consulate of their country of citizenship for procedures to register their trip abroad.

Arriving in Rome

Most of you will be arriving in Rome via plane or train. The main airport is the “Leonardo da Vinci”, also known as “Fiumicino” or FCO as it is in the town of Fiumicino located approximately 25 kilometers southwest of the city. After claiming your baggage and going through customs, go to the front of the airport (outside) and take the pedestrian walkway above street level and purchase a train ticket to Rome on the FM-1 train getting off at either Stazione Ostiense (Piramide) or Trastevere. You can also take the Leonardo da Vinci Express train which brings you to Termini Station in the center of Rome. This station allows you to connect with the city’s metro system. Verify your destination in Rome prior to selecting your mode of transport from the airport. It’s a good idea to have a few Euro coins when you arrive for a luggage trolley and a metro pass.

If you choose to take a taxi from the airport to your lodging avoid “Gypsy cabs” soliciting inside the airport. Take your bags to the front of the airport terminal, where you can get a metered yellow cab at the official TAXI stand. Ask how much the fare will be before- hand, and how much he/she will charge you for additional baggage (a ride from the airport to the “centro” shouldn’t cost more than 50 Euros). Plan to pay in cash, not with traveler’s checks.

Upon arriving, if you don’t trust your Italian language skills write the name and address of your destination on a piece of paper and hand it to the taxi driver. Tipping taxi drivers is not required.

In addition, there is a shuttle service that can pick you up at the airport in Rome. You may reserve and pay for the shuttle in advance online: https://initaly.com/transportation/

Prices for the shuttle vary, depending on the time of transfer as well as the number of passengers in your group. Average price for one person between 6:30 am and 9:00 pm is approximately 29 Euros. See the link above for group pricing packages and after-hours pricing.

Private car and driver (€25+ per person). For LESS money than a taxi, you can have a driver waiting at the exit from Customs at FCO or at your door in Rome. Prices start at €48 for two people. Some popular services include: www.romecabs.com and www.romeshuttlelimousine.com. Ask per mail for an offer. Private car services usually charge more if there are more than two people in the group, so the service may or may not be cheaper than the train. A private driver is often cheaper than a taxi.

Rome Center

The U-SoA Rome Center is located in the historic center of Rome within minutes’ walk of the Vatican and Piazza San Pietro. The address is University of Miami Rome Center, Via del Falco #1/A, Rome, Italy 00193. (011) 39.06.68802870 (Phone)

The Rome Center is a bring your own device instructional space. Please make sure to bring your laptops. Other facilities-related information will be presented at the orientation session on the first day of class.

Rome Program Policies

During the course of the semester, while classes are ongoing, students are not to schedule any personal travel unless class participation and/or coursework is not compromised. We recommend that you schedule personal trips before the semester begins or after the semester in Rome ends. You may have a weekend or a few days during the semester during which you may travel if the coursework permits, but the planning of these will likely be impromptu. Due to reasons outside of our control, classes and site visits might have to be resched- uled to take place during a weekend, therefore, it is best to not plan any personal excursion during the course of the semester, unless it can be cancelled. Attendance to all class sessions and field trips is mandatory.

Field tips are mandatory and are an important part of the Rome curriculum. It is mandatory that students and faculty travel together on all field trips. Trip arrangements are made in advance of the semester start date. You are expected to follow the itineraries provided. In the case of an emergency please discuss with the faculty on the ground. Although we do welcome family and friends during our walking tours, we cannot coordinate or purchase transportation services or site entrances for them. If they would like to join the group on a site visit, they are responsible to book and purchase their own tickets. For all out of town field trips, in the event that friends and family would like to join, they must make their own arrangements for lodging and transportation. There is no guarantee that they will be admitted to the sites we visit. If for reasons of medical or personal emergency you do not attend any of the program excursions, you must coordinate the makeup work with the faculty.

Each student will be responsible to purchase their own Rome (local) metro tickets/passes as needed, during the course of the semester. Although most all of the tours in Rome will be done by walking, students sometimes opt to travel by metro or tram to the meeting points.

 

Student Experience

Open All Tabs
  • Tate Nowell

    Meet Tate Nowell, a 5th-year B.Arch student immersing himself in the rich tapestry of architecture, history, and culture through the Fall 2024 Rome Program. In this interview, he shares insights into how the program has shaped his design thinking, personal growth, and appreciation for the built environment.

    Can you share a specific project or architectural site in Rome that has had a significant influence on your design thinking?

    The Baths of Diocletian have had a significant impact on my design process as when we toured what is left, I paid special attention and took great note of the scale of spaces, arrangement of programs, use of solid and void, and the power of large spaces when it comes to the enjoyment and effectiveness of particular programs. Specifically, the scale of ceiling heights and how one would circulate a space is very useful in the design of my current project here. 

    What has been the most rewarding experience or lesson you've gained from this program so far?

    Personally, one of the most rewarding experiences happens to be less about the education but more about the group. It is oftentimes hard to have a large group of people grouped together, doing the same thing, and with each other for the majority of the time without issue. This program has proven it wrong in the sense that all of us here have known each other for 5 years, but we all weren't best friends because each person has their own experiences and friends. That being said, here in Rome we are all like a big family and the time spent together in class, on trips, or just exploring Rome is what makes this program special. 

    How has the Rome Program enhanced your ability to analyze and engage with the built environment on a global scale?

    Rome has opened my eyes more to the built environment because of the sheer amount of history here. No matter where one builds in this city, there is always the chance of discovering new ruins. In addition, the ruins that currently exist are obviously used as museums and historical elements, but they also beg the question of if there is possibility to use these ruins in adaptive re-use projects and the impact that would have on motivating the rest of the world to do the same. 

    What’s the coolest or most unusual place you’ve sketched or studied architecture while in Rome?

    My favorite day of sketching was on my own time when I went to Villa Medici to see the Festival des Cabanes: an architectural installation. This installation is a festival of 6 different wooden hut designs that 'questions the relationship we have with nature.' All of the structures were extremely unique and interesting with complicated details. The weather was great, it was in the beautiful gardens of Villa Medici, and the projects were very fun to analyze and sketch. 

    What’s the most unexpected or quirky thing you’ve discovered about Roman life or architecture?

    Romans love afternoon 'naps' or resting time.

  • Samantha Nowak

    Meet Samantha Nowak, a 5th-year B.Arch student currently participated in the Fall 2024 Rome Program. Samantha has taken full advantage of this incredible opportunity, blending her architectural studies with the rich history and culture of Rome. Through this interview, you’ll get a glimpse into her unique experiences and the lasting impact her time abroad has had on her academic and personal journey.

    Can you share a specific project or architectural site in Rome that has had a significant influence on your design thinking?

    Visiting Villa Torlonia with my studio partner was so exciting as we did our own independent exploring for our project! Villa Torlonia is a large park with museums spread out throughout the site. This idea, along with one of the museums on site, was so similar to our studio design concept and helped us push our idea forward. It was so much fun to discover on our own and was so inspiring in the end. 

    How has living and studying in Rome shaped your understanding of the relationship between history, culture, and architecture?

    Without spending the time living and studying in Rome, I would not have been able to understand the importance of history, culture, and architecture acting in relationship. These three aspects of Rome work together to shape everyday life and create a unique city. Site visits that explain historical information, urban drawing, and just walking to class has given me the experience to understand this relationship. 

    What has been the most rewarding experience or lesson you've gained from this program so far?

    The Rome Program has allowed me to cultivate deeper relationships with my classmates, and I believe we will all cherish this particular group for the rest of our lives. Experiencing this city together, with students we have been close to for years but maybe never even talked to, has brought us all closer together. I am so grateful to have found a tight group of like-minded people passionate about architecture. 

    How has the Rome Program enhanced your ability to analyze and engage with the built environment on a global scale?

    The Rome Program has given me the ability to think about architecture and the urban landscape on a global scale through learning about the political and historical context that influences design. As we learn about Roman sites we contemplate what might also be occurring during the same time period around the world and how that affected the construction. 

    What advice would you give to other architecture students considering studying abroad in Rome?

    Absolutely apply. If you're even considering it, you have to apply. It is such an important part of your time in Miami.

  • Nick Tournour

    Meet Nick Tournour, a 5th-year B.Arch student exploring the intersections of architecture, history, and culture through the Fall 2024 Rome Program. Nick’s journey abroad has offered him a unique perspective, blending academic pursuits with the vibrant rhythms of Roman life. In this interview, he reflects on how this transformative experience has shaped his studies and personal outlook.

    Can you share a specific project or architectural site in Rome that has had a significant influence on your design thinking?

    I find myself continuously drawn to the Basilica of Santa Maria Maggiore - it almost feels like I go back at least once a week. The interior is illuminated by the use of mosaics and gilded ceilings that creates a sort of interplay between shadow and light, while also merging the sacred religious moments and the architectural spaces. The church has made quite the impression on my understanding of the experiences of spaces that we as architects design.

    How has living and studying in Rome shaped your understanding of the relationship between history, culture, and architecture?

    Studying in Rome has exposed me to various time periods and histories all at once—from the ancient to the medieval, Baroque, Renaissance, modern, and even to contemporary evolutions of this city. It is often said here that this city is built in layers, and this is not only true, but has enabled me to appreciate the complexities of architectural evolution as it relates to the cultural, social, and political contexts of each era. Experiencing these layers firsthand has deepened my understanding of how architecture reflects the values and priorities of the societies that created them, showcasing a continuous dialogue between the past and present.

    What has been the most rewarding experience or lesson you've gained from this program so far?

    The most rewarding experience I’ve gained from the Rome Program has been the opportunity to study historic sites firsthand and learn directly from the city’s architectural masterpieces. Standing in places like the Pantheon, Colosseum or Roman Forum, I’ve gained a deep appreciation for the craftsmanship, scale, and intention behind these structures—lessons that no textbook could convey.

    How has the Rome Program enhanced your ability to analyze and engage with the built environment on a global scale?

    I’ve learned to critically assess how different cultures approach design and urban planning in response to their unique contexts. By studying iconic Roman structures alongside modern interventions, I’ve gained insights into how historical preservation and contemporary innovation can coexist here in the Italian landscape. This has greatly informed my perspective on sustainable practices and adaptive reuse, two important topics in our discipline that transcend geographic boundaries.

    What advice would you give to other architecture students considering studying abroad in Rome?

    To any architecture students considering studying in Rome, I would recommend to embrace the city as a living classroom, and explore at every chance you can get. I try to find one new place to explore each day! Take every opportunity to seek out Roman life beyond the major tourist sites—Rome’s hidden details and lesser-known neighborhoods are beautiful places with incredible lessons in historical preservation, urban design, and cultural values that can transform your perspective on architecture.

  • Catalina Cabral-Framiñan

    Meet Catalina Cabral-Framiñan, a fifth-year B.Arch student embracing the architectural richness of the Fall 2024 Rome Program. In this interview, she shares insights into how studying in Rome has influenced her design thinking, deepened her appreciation for history and culture, and shaped her approach to the built environment.

    What inspired you to participate in the Rome Program?

    I hadn’t originally planned on participating due to funding concerns and my goal of attending grad school in Europe. However, hearing past testimonies from friends who studied in Rome—combined with a healthy dose of FOMO—and my positive experience in the Open City Studio in Tokyo convinced me to join the program this fall.

    Can you share a specific project or architectural site in Rome that has had a significant influence on your design thinking?

    I really loved visiting the different rationalist buildings in Professor Guerrero’s class. It’s a side of Rome (and Italy in general) that isn’t as widely discussed as traditional Roman or Renaissance/Baroque architecture, yet it offers valuable lessons in contextualizing modern design. Outside of Rome, Punta della Dogana deeply inspired me through Ando’s treatment of the centuries-old space. His use of concrete and glass to visually separate old from new, along with the spatial dimensioning, was especially helpful in the final stages of my studio project—repurposing an old military warehouse in Rome, in front of the MAXXI, into a “museum of museums.”

    How has living and studying in Rome shaped your understanding of the relationship between history, culture, and architecture?

    Rome has shown me how cities can be historically multi-layered, especially through the reuse of spolia over time. Even in contemporary construction, there are traces of history embedded in the materials themselves. Simply by analyzing the evolution of construction materials, you can uncover the human history of the city.

    How has the Rome Program enhanced your ability to analyze and engage with the built environment on a global scale?

    Studying in Rome has given me another city to explore deeply and understand at a close design scale. Spending an extended period here has allowed me to develop a studio project that directly engages with the city's unique conditions, rather than just studying it from afar.

     

    What advice would you give to other architecture students considering studying abroad in Rome?

    Get good walking shoes that you don’t mind getting a little dirty! You’ll be walking everywhere—through the city, on study trips, and up countless stairs during site visits—so comfort is key.

     

    What’s the coolest or most unusual place you’ve sketched or studied architecture while in Rome?

    I loved sketching at Piazza del Popolo from the retaining wall lookout above. It’s a place where you can truly see the city’s historical layers, from ancient Rome to more contemporary interventions, all at the junction of major urban axes that have endured for millennia. Sitting there, people-watching at dusk, and sketching the movement of the city is one of my favorite memories.

  • Hamza Warris

    Meet Hamza Warris, a fifth-year B.Arch student immersing himself in the Fall 2024 Rome Program. In this interview, he reflects on how studying in Rome has deepened his design perspective, challenged his ideas on history and urbanism, and enriched his experience of the built environment.
     

    What inspired you to participate in the Rome Program?

    I’ve always wanted to be in Europe, and the opportunity to study in Rome was too good to pass up. The city’s history and architectural significance made it the perfect setting to expand my design thinking.

    Can you share a specific project or architectural site in Rome that has had a significant influence on your design thinking?

    Bernini’s oval is a recurring element in his designs, and it’s something that I find fascinating. The way he manipulates space and movement through these ovals has had a lasting impact on my approach to design.

    How has living and studying in Rome shaped your understanding of the relationship between history, culture, and architecture?

    Rome has shown me that architecture and urbanism are two entirely different things. The way each has evolved in the city speaks to its unique relationship with history and culture.

    What has been the most rewarding experience or lesson you’ve gained from this program so far?

    One of the biggest lessons for me has been realizing that simplicity can be more powerful than the complexity of Renaissance and Baroque designs. Sometimes, less is truly more.

    How has the Rome Program enhanced your ability to analyze and engage with the built environment on a global scale?

    I’ve come to understand that the merit of Ancient Architecture can’t necessarily solve contemporary urbanism problems. This has opened up new ways for me to think about the future of cities.

    Have you picked up any Italian phrases that you use in your day-to-day life now? 

    “Tutto okay” has become a favorite. It’s simple and perfect for those everyday moments.

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